Most horrifying fan art ever

Nicolas Cage Jurassic Park t-rex dinosaur

This made me laugh a lot. See, I can sympathise. My own attempts at fan art have suffered a little in the execution. For example Continue reading

“Radiohead is because it’s like this total triumph of short people”

We’ve been having fun with Googlism, a website that filters descriptions from Google to tell you what Google “thinks” of you. For example:

princess stomper is normally represented as a small pink bunny
princess stomper is a former magazine contributor and music researcher
princess stomper is making way too many assumptions in this article  Continue reading

How To Do Festivals

Glastonbury festival-goers covered in mud

So this year’s Glastonbury line-up sucked, much like most of the bills in recent years. Let’s take a look, shall we? U2, yuck, but at least they’re “stadium rock” so you could make excuses. Coldplay? Why did someone shoot Lennon and let these guys live?* Beyoncé? Hells, no! I mean, I bought Single Ladies along with everyone else on the sodding planet and even contemplated trying to learn the dance routine before realising that I could never get my booty to shake that way. I like Beyoncé – just not in that context. Jesse J? Isn’t she the one they’ve desperately, desperately been trying to push to not much interest from anyone? They put her on the Glastonbury bill? Janelle Monáe – I’d love to see her in concert, but that would be a concert. Somewhere with plush seats and a foyer. Ke$ha, ffs? But it’s not just Glastonbury: it’s an epidemic. It’s like people have completely forgotten what festivals are supposed to do and to be, and they’re getting it wrong.

So, here is Reinspired’s public information broadcast on how festivals are supposed to work.

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10 Great Pop Songs from the Noughties

It’s been a day for celebration as the Chilean miners have begun their ascent. My mate Kenny reckons he liked them when they were still underground – but now everyone’s talking about them …

Kenny’s weird. He doesn’t like pop. I mean, granted, most pop’s rubbish, but every now and then a pop song makes the charts that’s as weird and wonderful, complex and exciting as any other style of music. Here, to remind us, are some of the best.


Gwen Stefani – What You Waiting For? (Love. Angel. Music. Baby., 2004)


The story behind this New Wave treat goes that Stefani’s first day in the studio with the legendary Linda Perry was disastrous, with Gwen breaking down in tears of self-doubt. Perry played her a tune the next day, which Gwen really loved, and Perry said, “Well, what are you waiting for?” The pair then documented Gwen’s emotional state to form the lyrics. It is unknown whether white rabbits were involved in the proceedings.


Sugababes – Stronger (Angels With Dirty Faces, 2002)


Back when the Sugababes made truly excellent records, this ripped off Massive Attack’s Unfinished Sympathy to devastating effect. Lush strings complement the fine three-part harmony against a languid trip-hop beat. This song is a great reminder of how they used to sound before they lapsed into bland, shallow elevator muzak.
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