[I have two windows open: in one, my questions for Arone Dyer and Aron Sanchez of Buke & Gase. In the other window, I have the Creation Kit, and I’m building a castle for Skyrim. I’m determined not to use fan-made resources, crafting purely from what shipped with the game. I tell myself it looks more authentic that way, but that’s untrue. It’s because by setting myself limits, blocked creatively into a corner, I have to think my way out. I have to snap those little lego-blocks together in ever more inventive ways, which pushes and stretches me. I can’t rely on things built by other people to let me coast along: either I imagine it, or it doesn’t exist.]
There’s no such thing as a buke. Arone Dyer invented it out of an old baritone ukelele and bits of whatever else they had lying around – I think it had bits of old car in it at some point – because they imagined it and wanted it to exist. Arone needed something lighter than a guitar, but I’m baffled by the ukelele: it’s just not something I associate with indie rock.
Aron: Actually there are a lot more ukeleles in indie rock than Gase’s. We don’t necessarily like ukeleles at all – we wanted to make a small experimental electric guitar and made one from parts of a ukelele. It is now a Buke.
The gass is a guitar-bass hybrid, similarly concocted by Aron Sanchez because he just didn’t want to be just another bass player. Hence, Buke and Gass – or Buke & Gase, as they call themselves for obvious reasons. Just the two of them, with just the two instruments plus their voices and whatever percussion they can strap to their feet. They make a hell of a racket for such a tiny band, but it’s a glorious noise. It’s indie rock, stretched and pushed until it makes something new. Descriptions are amusingly inept – they’re not “folk metal” or “chamber punk”, but I’ll give them “asymmetric congruencies of melodic discordance”. They pretty much sound like this.