Before they switched off Pandora in the UK, I found its deliberately anti-genre stance interesting because it would place frivolous ‘pop’ songs next to ‘credible’ artists. It’s probably stretching it to call any of these ‘rock’, but they’re of the type admired by people who don’t generally buy records by Beyonce, etc.
Stripped of the genre tag, note for note, there’s really not much difference between the songs. Wallace Wylie pointed out what’s wrong with the package of pop. If you take that away, you’ve got some great music that the middle-aged chin-strokers would probably like if they just started thinking of it as music. For example: Continue reading →
There were always old punks lurking at the local, or skulking in the nightclub, and we thought they were OK. Punk was old and dead, and the few wrinkly remainders trying to hit on women or men half their ages were smiled at like old WWII veterans. They might be a little out-of-place, perhaps a little embarrassing, but we wouldn’t have been here if it wasn’t for them, so there was a reverence there. We respected our elders. Nearly 20 years later, I see how young people today regard my own clubbing years. On Buzzfeed, a meme is going viral where fans are taking some footage of some terribly earnest-looking industrial fans dancing and overdubbing the music with ever more ridiculous novelty hits, with even more mischief to be found on Reddit. These fans are a laughing stock – and rightly so, because they are ridiculous.
What turns it from pathetic to outright upsetting is how little resemblance either the people or the music bears to the genre I loved with such a passion. It’s painful watching something you love die. Even when I was young, the old guard complained that Nine Inch Nails weren’t “real industrial”, and we smiled because things have to evolve and grow. But now there’s no trace of anything that ever made us love it in the first place. It hasn’t just evolved, it’s an entirely separate species, and it needs to be put out of its misery. Continue reading →
Revolting Cocks, aka RevCo, were a side project between Ministry’s Al Jourgensen, Luc Van Acker and Richard 23 from Front 242. Richard left and Chris Connelly (Finitribe) joined, along with Paul Barker, Bill Rieflin, and anyone else they could drag into the studio. Although not every song was humorous, I mostly associate RevCo with a certain tongue-in-cheek hilarity.