Interview: Necessary

Tony Wilson by Steffen Oftedal

This was how I discovered Necessary, via an interview at The Quietus: Necessary had given away their second album, Galgeberg/Gimle, for free, which was fortuitous for my ears, if not for their wallets. It was one of the best pieces of music I heard that year.

I’m not sure which words persuaded me to click on the link: “heavy breaks, turntablism, bass music, hauntological synth work, drum and bass, hip hop, chopped and screwed rap, industrial, choral and funk” … “combined in surprising, provocative and unsettling ways.” Maybe it was the occult chanting, the Persian singer, the Ligeti reference, grime, hip-hop, black metal and doom. Perhaps it was the Spanish civil war samples, the Chilean rapping, dub, goth, world music, or the “Post-Dictatorial Troll-Hop”.

I think it’s necessary for you just to hear it.

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5 reasons why your prediction of a dubstep-screamo hybrid craze might be way off the mark

A commenter on Collapse Board made the remark that the next big thing will probably be some hybrid of dubstep and rock. It’s a fair guess – maybe even a dubstep-screamo hybrid – but the existence of such a merger doesn’t mean that the public will embrace such a sound. Continue reading