We’ve been having fun with Googlism, a website that filters descriptions from Google to tell you what Google “thinks” of you. For example:
princess stomper is normally represented as a small pink bunny princess stomper is a former magazine contributor and music researcher princess stomper is making way too many assumptions in this article Continue reading →
So this year’s Glastonbury line-up sucked, much like most of the bills in recent years. Let’s take a look, shall we? U2, yuck, but at least they’re “stadium rock” so you could make excuses. Coldplay? Why did someone shoot Lennon and let these guys live?* Beyoncé? Hells, no! I mean, I bought Single Ladies along with everyone else on the sodding planet and even contemplated trying to learn the dance routine before realising that I could never get my booty to shake that way. I like Beyoncé – just not in that context. Jesse J? Isn’t she the one they’ve desperately, desperately been trying to push to not much interest from anyone? They put her on the Glastonbury bill? Janelle Monáe – I’d love to see her in concert, but that would be a concert. Somewhere with plush seats and a foyer. Ke$ha, ffs? But it’s not just Glastonbury: it’s an epidemic. It’s like people have completely forgotten what festivals are supposed to do and to be, and they’re getting it wrong.
So, here is Reinspired’s public information broadcast on how festivals are supposed to work.
After deciding to take sandwiches for a day or two instead of buying them in order to cover the £3 cost of this download, I wondered why I don’t just put myself on a couple of PR agency books so that I can get review copies for free. Then I reminded myself: I have to spend a couple of hours (at least) with a record to hear it properly, and if it’s rubbish, that’s two hours wasted. If I get sent 10 crappy albums a week, that’s my entire free time wasted on bilge. Much better just to actively seek out the great music and appreciate it all the more. Yes, all the proper critics fell in love with The ArchAndroid, but The Chase Suite is the one that wowed me.
The Chase Suite is a seven-track EP that owes as much to Fritz Lang and Philip K Dick as it does to Funkadelic and James Brown. It’s orchestral rhythm-and-blues in the classic Motown sense, but at the same time contemporary, pulling threads from a diverse range of influences.
Violet Stars Happy Hunting! features The Skunks, whoever they may be. It sounds a lot like Hey Ya by Outkast, which given Monáe’s Big Boi connection is not surprising (she even sang on Idlewild).