The 90s were, to my mind, a particularly fertile musical decade. Maybe it’s because I was in my teens then. I don’t get the music of now, most of the time. Chillwave sounds like call centre hold music and screamo goes sailing over my head. By the time I heard dubstep, most of the good stuff had been and gone, and now the main source of woob-woob-woob comes from cheesy advert jingles trying to sound hip.
Grunge, industrial rock, nu metal, breakbeat … these were things I could get behind. I wasn’t quite so much into trip hop, but I had the obligatory records by Portishead et al. I didn’t quite connect with Blue Lines. I don’t know why; it just didn’t really do anything for me. Of course I loved Unfinished Sympathy – didn’t everyone? It was The Guardian‘s 10th greatest song of all time – and Safe From Harm was fantastic too. I guess Massive Attack were, for me, very much a singles band. Continue reading