From Facebook: Time for another one of these. Write down the first 25 random songs that come up on your MP3 player, iPod etc. I used Last.fm set to My Library station. No cheating! No editing!
I thought I’d give it a go, using Last.fm, just to see what would happen. I found it interesting because it was forcing me to listen to things that I hadn’t heard in a while or given a particularly fair listen, and playing things out of the context of how I usually hear them. There’s some good songs here …
1. Foetus – Verklemmt
Bit of a no-brainer for me, considering how much I’ve been listening to this lately. I find the video hard-going (made by Alex Winter from Bill & Ted, it’s got literally thousands of cuts), but it’s a great song from the album GASH.
2. The Kinks – Dead End Street
Ah, I never tire of this song. I used to play it a lot when I was unemployed and starving-broke, living in a miserable bedsit in one of the rougher parts of South London.
It’s been a day for celebration as the Chilean miners have begun their ascent. My mate Kenny reckons he liked them when they were still underground – but now everyone’s talking about them …
Kenny’s weird. He doesn’t like pop. I mean, granted, most pop’s rubbish, but every now and then a pop song makes the charts that’s as weird and wonderful, complex and exciting as any other style of music. Here, to remind us, are some of the best.
Gwen Stefani – What You Waiting For? (Love. Angel. Music. Baby., 2004)
The story behind this New Wave treat goes that Stefani’s first day in the studio with the legendary Linda Perry was disastrous, with Gwen breaking down in tears of self-doubt. Perry played her a tune the next day, which Gwen really loved, and Perry said, “Well, what are you waiting for?” The pair then documented Gwen’s emotional state to form the lyrics. It is unknown whether white rabbits were involved in the proceedings.
Sugababes – Stronger (Angels With Dirty Faces, 2002)
Back when the Sugababes made truly excellent records, this ripped off Massive Attack’s Unfinished Sympathy to devastating effect. Lush strings complement the fine three-part harmony against a languid trip-hop beat. This song is a great reminder of how they used to sound before they lapsed into bland, shallow elevator muzak. Continue reading →