When the two old enemies embraced this week in London, many fans were wondering if the decades-long feud was finally and fully laid to rest. Would there be a Pink Floyd reunion? A new tour? A new album? Realistically, isn’t it much too late for that now? More to the point – as many were quick to remark – the band could hardly reunite since Richard Wright had died in 2008.
Whatever the rumours regarding the acronym KMFDM are, there’s certainly no denying that KMFDM write the catchiest, funkiest, coolest, most enjoyable industrial music in the world. Every song bounces along with glorious aplomb, filled with wry humour and scream-along choruses – not to mention bucketloads of raw funk. EN ESCH explains how…
En Esch: KMFDM have been doing records since ’84 but been putting out records since ’85 or ’86. Coincidentally I moved from Frankfurt to Hamburg and moved into an apartment where Sascha moved out so we found ourselves. Back then, I was a drummer, he was a bass player. We did some p-funk shows and jammed along, in a very George Clinton vibe. The rhythm would go on and on in a funky disco feeling, the groove doesn’t stop, and it was in 1985, the first time we had a little drum machine.
We ran into Raymond Watts, who had a small studio setup in Hamburg. He had the first sampler and he would sing a little, and Sascha would sing a little. Raymond decided to move on – he never felt too much involved, like he should be a permanent member and stuff. Sascha and I went on stage, just the two of us – sampler, keyboard and sequencer. In 1989, Gunter joined us, who was called Svet Am on earlier records – they are the same person.